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This document is not yet available for listening online. Music archiving in the World. Musical examples 1-57; VERLAG FÜR WISSENSCHAFT UND BILDUNG; 3-86135-681-3 (CD42265) |
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Carrier title | Music archiving in the World. Musical examples 1-57 |
SPARS code | AAD |
Production | DISK MEDIA SERVICE |
Production | BERLINER PHONOGRAMM-ARCHIV |
Production | ETHNOLOGISCHES MUSEUM |
Production year | C2002 |
Work genre | Essay |
Classification | Maintenance and preservation of collections |
Audio track | 1 |
Recording title | Tautina. Song of the Wedda |
Parent work | Berlin Phonogramm-Archiv: The first 100 years |
Recording locality | Sri Lanka |
Recording date | 1907 |
Audio track | 2 |
Recording title | Zembîlfros = The basket vendor. Kurdish rhymed tale |
Parent work | Berlin Phonogramm-Archiv: The first 100 years |
Performer | AHMET, Sayid |
Voice | Man's voice |
Recording locality | Turkey |
Recording date | 1965 |
Audio track | 3 |
Recording title | Kulau = Coconut. Dance song |
Parent work | Why historic recordings are of value to the Tolai people today |
Performer | A GROUP OF BOYS |
Voice | Man's voice |
Engineering | NEUHAUSS, Richard |
Activity | Recording |
Recording locality | Papua New Guinea |
Recording date | 1908-1910 |
Audio track | 4 |
Recording title | Kulau = Coconut. Dance song |
Parent work | Why historic recordings are of value to the Tolai people today |
Performer | TOKAUL, Johannes |
Voice | Man's voice |
Engineering | WINTHUIS, Fr. Josef |
Activity | Recording |
Recording locality | Papua New Guinea |
Recording date | 1908 |
Audio track | 5 |
Recording title | Rhythmusversuche = Rhythmical studies |
Parent work | The Berlin wax cylinder project: recent achievements and aims |
Performer | SKOUT, Roaming |
Musical instrument | Percussions |
Recording locality | Oklahoma |
Recording date | 1906 |
Audio track | 6 |
Recording title | Song sung by Kakau |
Parent work | Much more than sound and fury! Early relations between the phonogram archives of Berlin and Vienna |
Performer | KAKAU |
Voice | Man's voice |
Engineering | PÖCH, Rudolf |
Activity | Recording |
Recording locality | Papua New Guinea |
Recording date | 1904 |
Audio track | 7 |
Recording title | Targ el-aguz u kennetha = Mother-in-law and daughter-in-law. Wedding dance |
Parent work | The restoration of the Lachmann Collection at the National Sound Archives in Jerusalem |
Performer | KO'ILAN, Abdel'ati |
Musical instrument | Gasba |
Recording locality | Tunisia |
Recording date | 1929 |
Audio track | 8 |
Recording title | Arabic song |
Parent work | The restoration of the Lachmann Collection at the National Sound Archives in Jerusalem |
Recording locality | Jerusalem |
Recording date | 1936 |
Audio track | 9 |
Recording title | David Dargie plays the umrhube. The original signal, followed by the pattern of fundamental tones as well as the pure overtone contour. Recording of a lecture on music of the Xhosa in South Africa |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Performer | DARGIE, David |
Musical instrument | Umrhube |
Recording place | MUSIKWISSENSCHAFTLICHES SEMINAR, UNIVERSITY OF GÖTTINGEN |
Recording locality | Göttingen |
Recording date | 1991 |
Audio track | 10 |
Recording title | NoWayilethi Mbizweni sings in the umngqokolo umqangi style |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Performer | MBIZWENI, NoWayilethi |
Voice | Man's voice |
Recording locality | Southern Africa |
Recording date | 10.1985 |
Audio track | 11 |
Recording title | Filterings. Complete signal, 0-317Hz, parallel contours, 317-547Hz, 5457-797Hz |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Recording locality | Munich |
Recording date | 1993 |
Audio track | 12 |
Recording title | The same signal as before, but the frequency band 547-797Hz was erased in the end. The resulting melody contour remains the same, only the timbre changes a bit |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Audio track | 13 |
Recording title | The same signal as before. Here the frequency band 547-797Hz, which provides the "y!"-contour, is followed by the complete "umngqokolo umqangi"-signal |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Audio track | 14 |
Recording title | Nondel'ekhaya = Married at home |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Recording locality | Southern Africa |
Recording date | 1993 |
Audio track | 15 |
Recording title | An attention-directing guide for transcultural listening to umngqokolo umqangi style |
Parent work | Auditory ambiguity in Xhosa music: interactions between perceptual complexity, emic concepts and digital storage |
Audio track | 16 |
Recording title | Ketember = Song of trust |
Parent work | Mutuality as a principle of musicological documentation work in the Borno and Yobe states of Nigeria |
Performer | KUWUMA, Mai Mallam |
Voice | Man's voice |
Recording locality | Nigeria |
Recording date | 2002 |
Audio track | 17 |
Recording title | Kam laaro mowonjiya ya, kam laaro mowonjiba = What is possible for one may not be possible for another |
Parent work | Mutuality as a principle of musicological documentation work in the Borno and Yobe states of Nigeria |
Performer | KUWUMA, Mai Mallam |
Voice | Man's voice |
Recording locality | Nigeria |
Recording date | 2002 |
Audio track | 18 |
Recording title | Ngudo farne yanembero nzakke = Bird, fly, we take you to your mother |
Parent work | Mutuality as a principle of musicological documentation work in the Borno and Yobe states of Nigeria |
Performer | KUWUMA, Mai Mallam |
Voice | Man's voice |
Recording locality | Nigeria |
Recording date | 2002 |
Audio track | 19 |
Recording title | Bere-bere = To coddle. A traditional version |
Parent work | Musical heritage, conservation and creativity: the case of the National Museum of Mali |
Performer | SONINKE |
Activity | Instrument player |
Recording locality | Mali |
Recording date | 1995 |
Audio track | 20 |
Recording title | Bere-bere = To coddle. A modern version |
Parent work | Musical heritage, conservation and creativity: the case of the National Museum of Mali |
Performer | DIABATE, Toumani |
Activity | Instrument player |
Recording locality | Mali |
Recording date | 1992 |
Audio track | 21 |
Recording title | You tell a lie. Mento song |
Parent work | Saving the Jamaican musical heritage: the Jamaican folk music collection (JFMC) |
Engineering | LEWIN, Olive |
Activity | Recording |
Recording locality | Jamaica |
Audio track | 22 |
Recording title | Ziambey. Work song |
Parent work | Saving the Jamaican musical heritage: the Jamaican folk music collection (JFMC) |
Engineering | LEWIN, Olive |
Activity | Recording |
Recording locality | Jamaica |
Audio track | 23 |
Recording title | Jesus is a mighty searcher. Revival song |
Parent work | Saving the Jamaican musical heritage: the Jamaican folk music collection (JFMC) |
Engineering | WHYLIE, Marjorie |
Activity | Recording |
Recording locality | Jamaica |
Audio track | 24 |
Recording title | Raga Sanmukhapriya, alapana. Introduction |
Parent work | Recording South Indian music for the Berlin Phonogramm-Archiv |
Performer | SETHURAMIAH, V. |
Musical instrument | Violin |
Engineering | SRINIVASAN BUONOMO, Pia |
Activity | Recording |
Recording locality | India |
Recording date | 1985 |
Audio track | 25 |
Recording title | Raga Khamas, sol-fa passages |
Parent work | Recording South Indian music for the Berlin Phonogramm-Archiv |
Performer | SANTHANAM, Maharajapuram |
Voice | Man's voice |
Performer | CHANDRASEKARAN, M. |
Musical instrument | Violin |
Performer | IYER, Nagore Ambi |
Musical instrument | Percussions |
Engineering | SRINIVASAN BUONOMO, Pia |
Activity | Recording |
Recording locality | India |
Recording date | 1985 |
Audio track | 26 |
Recording title | Atadulka dulka, oi lylio. Wedding sutartine |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | USORIENE, Apolonija |
Voice | Woman's voice |
Performer | MIKALAUSKIENE, Salemona |
Voice | Woman's voice |
Performer | ALISAUSKIENE, Kastule |
Voice | Woman's voice |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 27 |
Recording title | Aviza prase. Working sutartine |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | GRICIENE, Agota |
Voice | Woman's voice |
Performer | GRICIENE, Marijona |
Voice | Woman's voice |
Performer | STIMBURIENE, Barbora |
Voice | Woman's voice |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 28 |
Recording title | Skrido bite, tatato. Work sutartine |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | VYCINIENE, Daiva |
Voice | Woman's voice |
Performer | NORVAISYTE, Daina |
Voice | Woman's voice |
Performer | SIRKAITE, Gabriele |
Voice | Woman's voice |
Recording locality | Lithuania |
Recording date | 1939 |
Audio track | 29 |
Recording title | Lioj, bajoraite. Dance sitartome |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | VYCINIENE, Daiva |
Voice | Woman's voice |
Performer | NORVAISYTE, Daina |
Voice | Woman's voice |
Performer | SIRKAITE, Gabriele |
Voice | Woman's voice |
Performer | VARNIENE, Ingrida |
Voice | Woman's voice |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 30 |
Recording title | Kas man supa. Swaying song |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | CICENIENE, Anastazija |
Voice | Woman's voice |
Engineering | CETKAUSKAITE, Genovaite |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1969 |
Audio track | 31 |
Recording title | Generalio ralio. Herding song |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | CICENIENE, Anastazija |
Voice | Woman's voice |
Engineering | CETKAUSKAITE, Genovaite |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1969 |
Audio track | 32 |
Recording title | Oi, ruta ruta. Wedding song |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | YLIENE, Karolina |
Voice | Woman's voice |
Performer | AGANAUSKIENE, Karolina |
Voice | Woman's voice |
Performer | DRIUKIENE, Genovaite |
Voice | Woman's voice |
Performer | DRUSKIENE, Monika |
Voice | Woman's voice |
Engineering | CETKAUSKAITE, Genovaite |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1974 |
Audio track | 33 |
Recording title | Aluti geriau. Celebration song |
Parent work | A retrospective of the recording of folk melodies in Lithuania |
Performer | STARKUS, Vladas |
Voice | Man's voice |
Performer | STARKUS, Bronius |
Voice | Man's voice |
Performer | MALISAUSKAS, Leonas |
Voice | Man's voice |
Performer | MASILIONIS, Jonas |
Voice | Man's voice |
Engineering | CETKAUSKAITE, Genovaite |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1978 |
Audio track | 34 |
Recording title | Untyte. Instrumental composition |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | PERFORMERS FROM BIRZAI TOWN |
Musical instrument | Skudučiai |
Performer | BURBULIS, Kostas |
Activity | Director of the ensemble |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 35 |
Recording title | Tytytitit. Instrumental composition |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | BANIULIS, Ignas |
Musical instrument | Ragai |
Performer | BANIULIS, Julius |
Musical instrument | Ragai |
Performer | GUSEVICIUS, Povilas |
Musical instrument | Ragai |
Performer | JANAUSKAS, Stasys |
Musical instrument | Ragai |
Performer | MATULIS, Pranas |
Musical instrument | Ragai |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 36 |
Recording title | Du zali berzeliai. Polyphonic song sutartine |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | PLEPAS, Jonas |
Musical instrument | Kankles |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 37 |
Recording title | Mazurpolke. Dance |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | STADALNYKAS, Jonas |
Musical instrument | Birbyne |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 38 |
Recording title | Piemenuko raliavimas. Special melody of shepherds |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | CIVILIS, Kazys |
Musical instrument | Lamzdeliai |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 39 |
Recording title | Merginu aplojojimas. Making fun of participants of shepherds' festivals |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | MUSNIKAS, Jurgis |
Musical instrument | Sheperd's horn |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 40 |
Recording title | Tildute. Signal of shepherds |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | BRAZINKAS, Bonifacas |
Musical instrument | Sheperd's horn |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 41 |
Recording title | Salabanas. Dance |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | ABROMAVICIUS, Stanislovas |
Musical instrument | Kankles |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 42 |
Recording title | Polka. Dance |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | RADZEVICIUS, Juozas |
Musical instrument | Violin |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1936 |
Audio track | 43 |
Recording title | Melnikas. Dance |
Parent work | Archive recordings of Lithuanian folk instrumental music |
Performer | BIRGIOLAS, Povilas |
Musical instrument | Violin |
Performer | SKRICKIS, Kleopas |
Musical instrument | Harmonica |
Performer | ZAKSAS, Jurgis |
Musical instrument | Double bass |
Engineering | SLAVIUNAS, Zenonas |
Activity | Recording |
Recording locality | Lithuania |
Recording date | 1937 |
Audio track | 44 |
Recording title | Swinging song. Calendar song |
Parent work | Contemporary developments at the Estonian Folklore Archive's Sound Collections |
Performer | KILU, Mari |
Voice | Woman's voice |
Performer | TAMP, Liisu |
Voice | Woman's voice |
Engineering | TAMPERE, Herbert |
Activity | Recording |
Engineering | PULST, August |
Activity | Recording |
Recording locality | Estonia |
Recording date | 1936 |
Audio track | 45 |
Recording title | Dudanota. Bagpipe song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | PERCZE, Vincéné |
Voice | Woman's voice |
Engineering | MANGA, János |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1969 |
Audio track | 46 |
Recording title | Haja, haja, mégis haja. Bagpipe song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | SZABO, János |
Musical instrument | Flute |
Engineering | BARTOK, Béla |
Activity | Recording |
Engineering | LAJTHA, László |
Activity | Recording |
Engineering | KODALY, Zoltán |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1937 |
Audio track | 47 |
Recording title | Haja, haja, mégis haja. Bagpipe tune |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | SZABO, János |
Voice | Man's voice |
Engineering | BARTOK, Béla |
Activity | Recording |
Engineering | LAJTHA, László |
Activity | Recording |
Engineering | KODALY, Zoltán |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1937 |
Audio track | 48 |
Recording title | Elkezdem már, elkezdem már ... . Day wager's song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | WOMEN'S GROUP |
Voice | Woman's voice |
Engineering | MANGA, János |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1973 |
Audio track | 49 |
Recording title | Letelt már a hat hónapom... . Day wager's song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | WOMEN'S GROUP |
Voice | Woman's voice |
Engineering | MANGA, János |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1973 |
Audio track | 50 |
Recording title | Dudaszó hallatszik. Bagpipe song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | HOLECZ, Istvánné |
Voice | Woman's voice |
Engineering | MANGA, János |
Activity | Recording |
Recording locality | Hungary |
Recording date | 1973 |
Audio track | 51 |
Recording title | Haja, haja, mégis haja. Bagpipe song |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | HOLECZ, Istvánné |
Voice | Woman's voice |
Engineering | NEMETH, István |
Activity | Recording |
Recording locality | Hungary |
Recording date | 2000 |
Audio track | 52 |
Recording title | Bánat, bánat, de bánatos vogyok. Love song. New folk song style |
Parent work | The history of phonograph and digital sound recordings and a north Hungarian village between 1896 and 2000 |
Performer | HOLECZ, Istvánné |
Voice | Woman's voice |
Engineering | NEMETH, István |
Activity | Recording |
Recording locality | Hungary |
Recording date | 2000 |
Audio track | 53 |
Recording title | The rune song of a big oak |
Parent work | Tampere Sound Archive: Saving old analog tapes for future generations |
Performer | HUOVINEN, Domna |
Voice | Woman's voice |
Recording locality | Finland |
Recording date | 1955 |
Audio track | 54 |
Recording title | The funeral march of Hintriikki Peltoniemi |
Parent work | Tampere Sound Archive: Saving old analog tapes for future generations |
Performer | THE PURPPURIPELIMANNIT OF KAUSTINEN |
Formation | String orchestra |
Recording locality | Finland |
Recording date | 1958 |
Audio track | 55 |
Recording title | Sakko diives lessa. Gypsy singing |
Parent work | Tampere Sound Archive: Saving old analog tapes for future generations |
Performer | LINDEMAN, Alinda |
Voice | Woman's voice |
Performer | GRÖNFORS, Hilda |
Voice | Woman's voice |
Recording locality | Finland |
Recording date | 1971 |
Audio track | 56 |
Recording title | Spell for bloat |
Parent work | Tampere Sound Archive: Saving old analog tapes for future generations |
Performer | TOPPARI, Emmi |
Voice | Woman's voice |
Recording locality | Finland |
Recording date | 1954 |
Audio track | 57 |
Recording title | Herbert, wo bist du? |
Parent work | Tampere Sound Archive: Saving old analog tapes for future generations |
Performer | KAISANIEMEN LAULAVAT SOITTAJAT |
Formation | Ensemble |
Recording locality | Finland |
Recording date | 1988 |
Additional author | BERLIN, Gabriele |
Activity | Compiler |
Additional author | SIMON, Artur |
Activity | Compiler |
Engineering | WIEDMANN, Albrecht |
Engineering | DISK MEDIA SERVICE |
Enclosed | Enclosure kept separately in the library |
Linked object | BA Mus; Music archiving in the world : Papers presented at the Conference on the occasion of the 100th anniversary of the Berlin Phonogramm-Archiv; 3-86135-681-3; BERLIN, Gabriele; SIMON, Artur (LIB2607) |
Record label | VERLAG FÜR WISSENSCHAFT UND BILDUNG |
ISBN | 3-86135-681-3 |
Matrix/stamper number | DMS 10649 IFPI LL88 IFPI 5224 |
Call number | CD42265 |
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